Euphonix MixView CS3000 Manual do Utilizador Página 14

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...more time to create
Traditional consoles, even those with “total recall,” still require
hours of manual knob resetting during a project in order to get back
to saved titles and mixes. These mechanically operated systems have
never had the ability to recall outboard dynamics and effects
processors. Imagine the time saved if it were possible to return to a
project in just a minute instead of an hour. An engineer remains
continuously creative without suffering from the down time it takes
to manually reset the console. Projects would be completed faster
than possible with a manual reset console system. All of this is
possible today with Euphonix, the only digital control analog audio
console that recalls and resets all the major components of a mixing
environment automatically. Euphonix title recall resets faders, mutes,
pan/bal, aux send levels, EQ settings, dynamics settings, routing,
surround panning, MIDI program change for external signal
processors, monitor configuration, tape location cues ...Everything
instantly!
...more creative possibilities
Euphonix SnapShot Recall™ is a digital “picture” of the console’s
surface. Within 1/30
th
second, SnapShot recall will reset the controls
to those positions previously stored. It’s a powerful tool which frees
mixers from banal mechanical tasks and allows for a greater focus to
be placed on the sound of the final mix. SnapShot Recall can be
used to create multiple mixes and to compare them instantly in real-
time. SnapShot Recall allows instant changes of EQ and/or dynamics
without being forced to tie up two channels of the mixing system.
This frees valuable faders for more inputs to the mix. Euphonix
digital control system with SnapShot Recall makes remixing a project
easier and faster than ever. Once the title is recalled and the console
is reset, you are right back to where you left off, ready to start
mixing again without laboring for hours to get “close” to where you
were before!
...more routing & processing
flexibility
From an operational standpoint, the Euphonix provides a wide range
of functionality without compromising user access. Each channel
strip features 2 variable gain universal amplifiers and 4 line level
inputs. Any of these 6 input sources can be assigned in mono or
stereo to either of two long throw faders, one upper and one lower
(moving faders available). Two 4 band digital control EQ sections
can be placed into the signal paths either as mono or a locked
stereo pair. Each channel also has 4 dedicated, dynamically
automated auxiliary output controls, selectable as mono or stereo
sends to any of 8 dedicated output buses. If more are needed, up to
48 additional send buses may be added at any time. Optional
dynamics processors add noise gating, compression, expansion,
ducking, de-essing, and other frequency selective processing
functions to every channel. Audio su/jointfilesconvert/428326/bgroups may be specified in
three different configurations: 24 mono (or 12 stereo) su/jointfilesconvert/428326/bgroups
sourced from lower faders, 12 mono, or 6 stereo su/jointfilesconvert/428326/bgroups sourced
from all faders. These configurations can be changed easily in the
field. Two stereo outputs, plus PFL, AFL and solo buses completes
the bus structure of the system.
...delivers the highest sound
quality
The most demanding audio professionals use Euphonix mixing
systems because of their exceedingly high sound quality. Audio
circuitry is built without compromise, using only the highest grade
components, delivering the cleanest audio path possible, while at
the same time, providing all the power and flexibility expected of
full digital control. All audio signal processing is housed in the
Audio Tower so noise, RFI, and crosstalk is minimized. Circuit layout
is optimized for maximum audio performance, not limited by the
physical restrictions of an input module as is required in a
traditional, mechanical style console.
...assures the highest reliability
High reliability and ease of maintenance is achieved through the
combination of analog circuitry, mature software and modular
hardware. Audio electronics housed in the Audio Tower are fan
cooled and built in removable tray assemblies with local voltage
regulation. Design is modular throughout for easy replacement and
troubleshooting of all system components. Mix Controller modules
are grouped as four channels and can be removed or replaced in
seconds. Multiple processors provide independent operation of the
Mix Controller (digital control surface), the Audio Tower (analog
processing), and the MixView computer. Even in the event the
computer is off-line or the digital control surface loses power, the
audio output is not interrupted. Optional redundant power supplies
provide uninterrupted power under the most difficult conditions.
...prepared for the future
Ready to meet the audio demands of surround-sound required for
DTS, Dolby Digital, SDDS, ATV, DSB, DVD, or any other future
development, Euphonix Hyper-Surround system provides stereo and
surround panning from every channel and fully supports all multi-
channel formats in use today. With unique software controlled
configuration, Hyper-Surround lets you create custom mix formats
up to 32 channels wide, complete with automated panning. The
multi-format mix buses used for Hyper-Surround mixing are supplied
as an optional hardware module (Audio Cube), which can be added
even after installation, protecting one’s investment.
the benefits of digital control
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