Euphonix MixView CS3000 Manual do Utilizador descarregar pdf (Página 13)

...more time to create

Traditional consoles, even those with so-called “total recall”, still

require hours of manual knob resetting during a project in order to

get back to saved titles and mixes. These mechanically operated

systems have never had the ability to recall outboard dynamics and

effects processors. Imagine the time saved if it were possible to

jump from one title to the next in just a minute instead of an hour.

Artists‘ performances would be improved by allowing them to be

continuously creative without the down time it takes to manually

reset the console. Producers would find they required less time to

get the tracks recorded. Projects would be completed faster than

possible with a manual reset console system.

All of this is possible today with Euphonix, the only digital control

analog audio console that recalls and resets all the major

components of a mixing environment automatically. Euphonix title

recall resets faders, mutes, pan/bal, aux send levels, EQ settings,

dynamics settings, routing, surround panning, MIDI program change

for external signal processors, monitor configuration, tape location

cues ...Everything instantly!

...more creative possibilities

Euphonix SnapShot Recall™ is a digital “picture” of the console’s

surface. Within 1/30

second SnapShot recall will reset the controls

to those positions previously stored. It’s a a powerful tool which

frees mixers from banal mechanical tasks and allows for a greater

focus to be placed on the sound of the final mix.

SnapShot Recall can be used to create multiple mixes and to

compare them instantly in real-time. SnapShot Recall allows instant

changes of EQ and/or dynamics without being forced to tie up two

channels of the mixing system. This frees valuable faders for more

inputs to the mix. Euphonix digital control system with SnapShot

Recall makes remixing a project easier and faster than ever. Once the

title is recalled and the console is reset, you are right back to where

you left off, ready to start mixing again without laboring for hours

to get “close” to where you were before!

...more routing & processing

flexibility

From an operational standpoint, the Euphonix provides a wide range

of functionality without compromising user access. Each channel strip

features 2 variable gain universal amplifiers and 4 line level inputs.

Any of these 6 input sources can be assigned in mono or stereo to

either of two long throw faders, one upper and one lower (moving

faders available). Two 4 band digital control EQ sections can be

placed into the signal paths either as mono or a locked stereo pair.

Each channel also has 4 dedicated, dynamically automated auxiliary

output controls, selectable as mono or stereo sends to any of 8

dedicated output buses and if more are needed, than up to 48 extra

send buses may be added at any time. Optional dynamics processors

add noise gating, compression, expansion, ducking, de-essing, and

other frequency selective processing functions to every channel.

Audio su/jointfilesconvert/470962/bgroups may be specified in three different configurations:

24 mono (or 12 stereo) su/jointfilesconvert/470962/bgroups sourced from lower faders, 12

mono, or 6 stereo su/jointfilesconvert/470962/bgroups sourced from all faders. These

configurations can be changed easily in the field. Two stereo

outputs, plus PFL, AFL and solo buses completes the bus structure of

the system.

...delivers the highest sound

quality

The most demanding audio professionals use Euphonix mixing

systems because of their exceedingly high sound quality. Audio

circuitry is built without compromise, using only the highest grade

components, delivering the cleanest audio path possible while at the

same time, providing all the power and flexibility expected of full

digital control. All audio signal processing is housed in the Audio

Tower so noise, RFI, and crosstalk can be minimized. Circuit layout is

optimized for maximum audio performance, not limited by the

physical restrictions of an input module as is required in a

traditional, mechanical style console.

...assures the highest reliability

High reliability and ease of maintenance is achieved through the

combination of analog circuitry, mature software and modular

hardware. Audio electronics housed in the Audio Tower are fan

cooled and built in removable tray assemblies with local voltage

regulation. Design is modular throughout, for easy replacement and

troubleshooting of all system components. Mix Controller modules

are grouped as four channels and can be removed or replaced in

seconds. Multiple processors provide independent operation of the

Mix Controller (digital control surface), the Audio Tower (analog

processing), and the MixView computer. Even in the event the

computer is off-line or the digital control surface loses power, the

audio output is not interrupted. Optional redundant power supplies

provide uninterrupted power under the most difficult conditions.

...prepared for the future

Ready to meet the audio demands of surround-sound, DVD, DTS

multi-channel CD, and any other future development, Euphonix’s

optional Hyper-Surround system provides stereo and surround

panning from every channel and fully supports all multi-channel

formats in use today. With unique software controlled configuration,

Euphonix Hyper-Surround lets you create custom mix formats up to

32 channels wide, complete with automated panning. The multi-

format mix buses used for Hyper-Surround mixing are supplied as an

optional hardware module (Audio Cube), which can be added even

after installation, protecting one’s investment.

the benefits of digital control

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